{"id":29211,"date":"2025-05-22T16:28:30","date_gmt":"2025-05-22T13:28:30","guid":{"rendered":"https:\/\/msfilmfestival.fi\/?post_type=movies&p=29211"},"modified":"2025-05-23T12:43:49","modified_gmt":"2025-05-23T09:43:49","slug":"cosmic-zoom-from-the-minute-to-the-sublime","status":"publish","type":"movies","link":"https:\/\/msfilmfestival.fi\/en\/movies\/cosmic-zoom-from-the-minute-to-the-sublime\/","title":{"rendered":"Cosmic Zoom: from the minute to the sublime"},"content":{"rendered":"

The universe is a big place\u2014a fact that can instill fear, provoke awe, change perspectives, and expand understanding. The latter three are the focus of the book <\/span>Cosmic View<\/span><\/i> (1957) by Dutch educator Kees Boeke. His work inspired two films in 1968: <\/span>Cosmic Zoom<\/span><\/i>, by Eva Szasz, and <\/span>Powers of Ten<\/span><\/i>, by Ray and Charles Eames (though their 1977 version is better known). <\/span>Cosmic Zoom<\/span><\/i> begins with a boy and his dog rowing on the Ottawa River, moving into a hand-drawn animated zoom out into the galaxy before plunging back to the boy. In distinction to <\/span>Powers of Ten<\/span><\/i>, Scasz\u2019s film does not merely delve into the molecules of the boy\u2019s hand, but zooms into the boy\u2019s blood cells as a mosquito is drinking them in. This is a fascinating choice, as it introduces an essential idea into the contrast between microscopic and galactic scales: that of contact. The outlook we get from the film is not just about how incredibly vast the universe is\u2014both outside and inside of us\u2014but also that we share it with so many invisible beings. Even creatures we find distasteful\u2014mosquitos\u2014can be the subject for enlightening reverie. The films in this program all perform a cosmic zoom\u2014moving us through space and time, shifting us from one point of view to another, calling attention to what we missed, and refocusing our vision of the present in relation to the future and past.<\/span><\/p>\n

Alla Grachyova<\/span>\u2019s <\/span>Autumn Fishing<\/span><\/i> (<\/span>1968) and Jean-Pierre Rhein\u2019s<\/span> The Little Bird Who Wanted to Be a Motor<\/span><\/i> (1971) feature little creatures moving from the minute to the celestial, zooming slowly between dandelion fluff and stars and cicadas and airplanes. In <\/span>A Place on the Streetcar<\/span><\/i> (1979), Gy\u00f6rgy Csonka zooms across time from the confined space of a streetcar, giving us a metaphor for the way we move through life\u2014with a limited view of the major events affecting us. Jan Lenica\u2019s <\/span>A <\/span><\/i>(1964) performs a kind of dolly zoom\u2014creating a disorienting sensation of impossible movement as the letter A distorts the space around it. The letter signifies a world we desperately seek to understand and control\u2014but solving one mystery only prompts another to appear. Heino Pars\u2019 <\/span>Nail<\/span><\/i> (1972) also focuses on the symbolic realm, using a mundane object as metaphor for the mysterious nature of our relationships. In <\/span>Red and Black<\/span><\/i> (1963), Witold Giersz gives us witty meta commentary about conflict as performance, zooming back and forth between enemy perspectives as well as highlighting a rack focus between reality and art.\u00a0<\/span><\/p>\n

Jaromir Wesely\u2019s <\/span>What Happened Then?<\/span><\/i> (1994) is an adaptation of Tove Jansson\u2019s book, which also plays with focus, adjusting our attention from one moment in time to another. As with fairy tales, a seemingly routine journey to bring home milk zooms us into the sublime, because while the vast forest surrounding us is unknowable, the abyss within\u2014whether it is a wolf or a vacuum cleaner\u2014is both finite and infinite. Thus, the Moomins discover the familiar in the strange, nudging us away from fear towards a courageous <\/span>yes<\/span><\/i> to cosmic peace, love, and understanding.\u00a0<\/span><\/p>\n

Jennifer Lynde Barker<\/span><\/i><\/p>\n

 <\/p>\n

Screening duration: 70 min<\/span><\/p>\n

Curated by: Jennifer Lynde Barker<\/span><\/p>\n

 <\/p>\n

ELOKUVAT<\/p>\n

A (West-Germany, 1964)<\/strong><\/p>\n

A Place on the Streetcar (Hungary, West-Germany, 1979)<\/strong><\/p>\n

Autumn Fishing (Ukraine, 1968)<\/strong><\/p>\n

Cosmic Zoom (Canada, 1968)<\/strong><\/p>\n

What Happened Then? (Sweden, 1994)<\/strong><\/p>\n

Nail (Estonia, 1972)<\/strong><\/p>\n

Red and Black (Poland, 1963)<\/strong><\/p>\n

The Little Bird Who Wanted to be a Motor (France, 1971)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"The universe is a big place\u2014a fact that can instill fear, provoke awe, change perspectives, and expand understanding. The latter three are the focus of the book Cosmic View (1957) by Dutch educator Kees Boeke. His work inspired two films in 1968: Cosmic Zoom, by Eva Szasz, and Powers of Ten, by Ray and Charles… View Article<\/a>","protected":false},"featured_media":29506,"template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-29211","movies","type-movies","status-publish","has-post-thumbnail","hentry","filters-jennifer-barker-en","filters-master-classes-and-special-presentations","filters-short-films"],"acf":[],"yoast_head":"\nCosmic Zoom: from the minute to the sublime — Midnight Sun Film Festival<\/title>\n<meta name=\"description\" content=\"The universe is a big place\u2014a fact that can instill fear, provoke awe, change perspectives, and expand understanding. The latter three are the focus of the book Cosmic View (1957) by Dutch educator Kees Boeke. His work inspired two films in 1968: Cosmic Zoom, by Eva Szasz, and Powers of Ten, by Ray and Charles Eames (though their 1977 version is better known). Cosmic Zoom begins with a boy and his dog rowing on the Ottawa River, moving into a hand-drawn animated zoom out into the galaxy before plunging back to the boy. In distinction to Powers of Ten, Scasz\u2019s film does not merely delve into the molecules of the boy\u2019s hand, but zooms into the boy\u2019s blood cells as a mosquito is drinking them in. This is a fascinating choice, as it introduces an essential idea into the contrast between microscopic and galactic scales: that of contact.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/msfilmfestival.fi\/en\/movies\/cosmic-zoom-from-the-minute-to-the-sublime\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cosmic Zoom: from the minute to the sublime — Midnight Sun Film Festival\" \/>\n<meta property=\"og:description\" content=\"The universe is a big place\u2014a fact that can instill fear, provoke awe, change perspectives, and expand understanding. The latter three are the focus of the book Cosmic View (1957) by Dutch educator Kees Boeke. His work inspired two films in 1968: Cosmic Zoom, by Eva Szasz, and Powers of Ten, by Ray and Charles Eames (though their 1977 version is better known). Cosmic Zoom begins with a boy and his dog rowing on the Ottawa River, moving into a hand-drawn animated zoom out into the galaxy before plunging back to the boy. In distinction to Powers of Ten, Scasz\u2019s film does not merely delve into the molecules of the boy\u2019s hand, but zooms into the boy\u2019s blood cells as a mosquito is drinking them in. This is a fascinating choice, as it introduces an essential idea into the contrast between microscopic and galactic scales: that of contact.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/msfilmfestival.fi\/en\/movies\/cosmic-zoom-from-the-minute-to-the-sublime\/\" \/>\n<meta property=\"og:site_name\" content=\"Midnight Sun Film Festival\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MidnightSunFilmFestival\/\" \/>\n<meta property=\"article:modified_time\" content=\"2025-05-23T09:43:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/msfilmfestival.fi\/wp-content\/uploads\/2025\/05\/Jennifer-Barker.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2500\" \/>\n\t<meta property=\"og:image:height\" content=\"1667\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@msfilmfest\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/msfilmfestival.fi\/en\/movies\/cosmic-zoom-from-the-minute-to-the-sublime\/\",\"url\":\"https:\/\/msfilmfestival.fi\/en\/movies\/cosmic-zoom-from-the-minute-to-the-sublime\/\",\"name\":\"Cosmic Zoom: from the minute to the sublime — Midnight Sun Film Festival\",\"isPartOf\":{\"@id\":\"https:\/\/msfilmfestival.fi\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/msfilmfestival.fi\/en\/movies\/cosmic-zoom-from-the-minute-to-the-sublime\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/msfilmfestival.fi\/en\/movies\/cosmic-zoom-from-the-minute-to-the-sublime\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/msfilmfestival.fi\/wp-content\/uploads\/2025\/05\/Barker_Czerwone-i-czarne.jpg\",\"datePublished\":\"2025-05-22T13:28:30+00:00\",\"dateModified\":\"2025-05-23T09:43:49+00:00\",\"description\":\"The universe is a big place\u2014a fact that can instill fear, provoke awe, change perspectives, and expand understanding. 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