{"id":31371,"date":"2026-05-22T10:02:04","date_gmt":"2026-05-22T07:02:04","guid":{"rendered":"https:\/\/msfilmfestival.fi\/?post_type=movies&#038;p=31371"},"modified":"2026-05-22T18:46:51","modified_gmt":"2026-05-22T15:46:51","slug":"destinies-of-women","status":"publish","type":"movies","link":"https:\/\/msfilmfestival.fi\/en\/movies\/destinies-of-women\/","title":{"rendered":"Destinies of Women"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">There have traditionally been many melodramatists in Finnish cinema, but even amongst them Toivo S\u00e4rkk\u00e4, the producer mogul at Suomen Filmiteollisuus, was in his own noble league. In his directorial work S\u00e4rkk\u00e4 was always at his strongest when depicting the past; especially the epoch of the imperial Russian period represented a reality over the present for him. Time after time S\u00e4rkk\u00e4 found the most genuine pulse of the 1800s\u2019 ghost Europe in the remote North, whether the focus was on artists (J. L. Runeberg and Fredrik Pacius), religious revivalist movements or bourgeois mansion life with Swedish-Russian notes.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This meant that S\u00e4rkk\u00e4 was perfectly suited for the job when he chose the same Guy de Maupassant\u2019s novel from 1883, from which this year\u2019s guest St\u00e9phane Briz\u00e9 also made his version. The Northern adaptation of the world literature classic is perfected by the top tier of the studio era: forever tormented Rauli Tuomi, Edvin Laine, who this time embodies a tragicomic, slavic clamour mentality, and \u2013 above all \u2013 Eeva-Kaarina Volanen, whose delicate and sweet essence carries the hope of a better tomorrow, even when crushed: \u201dThe whole world cannot rest solely on lies, unrestrained desire, and blind trust.\u201d<\/span><\/p>\n<p><em>Petteri Kalliom\u00e4ki<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"There have traditionally been many melodramatists in Finnish cinema, but even amongst them Toivo S\u00e4rkk\u00e4, the producer mogul at Suomen Filmiteollisuus, was in his own noble league. In his directorial work S\u00e4rkk\u00e4 was always at his strongest when depicting the past; especially the epoch of the imperial Russian period represented a reality over the present&#8230; <a class=\"view-article\" href=\"https:\/\/msfilmfestival.fi\/en\/movies\/destinies-of-women\/\">View Article<\/a>","protected":false},"featured_media":31369,"template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-31371","movies","type-movies","status-publish","has-post-thumbnail","hentry","filters-35-mm-en","filters-film-history-en","filters-finnish-classics","filters-finnish-films","filters-puhuttu-tai-tekstitetty-suomeksi-en","filters-special-screenings"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Destinies of Women &#8212; Midnight Sun Film Festival<\/title>\n<meta name=\"description\" content=\"There have traditionally been many melodramatists in Finnish cinema, but even amongst them Toivo S\u00e4rkk\u00e4, the producer mogul at Suomen Filmiteollisuus, was in his own noble league. 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