{"id":29917,"date":"2025-06-12T18:01:12","date_gmt":"2025-06-12T15:01:12","guid":{"rendered":"https:\/\/msfilmfestival.fi\/?p=29917"},"modified":"2025-06-12T18:10:55","modified_gmt":"2025-06-12T15:10:55","slug":"11-6-morning-discussion-with-julien-temple","status":"publish","type":"post","link":"https:\/\/msfilmfestival.fi\/en\/11-6-morning-discussion-with-julien-temple\/","title":{"rendered":"11.6. Morning Discussion with Julien Temple"},"content":{"rendered":"

During the morning discussion, the British director Julien Temple<\/strong> revealed that he had visited a late night viewing the previous night since a\u00a0<\/span>construction work had woken him up. The audience did not notice any fatigue though, as the director reminisced about his career as a film maker, especially in the British music scene.<\/span><\/p>\n

Temple hardly watched films as a kid. He remembers how he saw <\/span>Jean-Luc Godard\u2019s <\/b>Le m\u00e9pris (1963)<\/span><\/i> as an architecture student, but did not understand a thing. He had to watch the film six times before he felt that he had the hang of it. This experience led to his practice of watching a lot of films. During this period, he saw <\/span>L\u2019Atalante (1934) <\/span><\/i>by <\/span>Jean Vigo<\/b> that\u00a0blew Temple’s mind. Temple rented a 16 mm print copy of the movie, which he accidentally dropped into a river and had to dry out afterwards. \u201cI studied every frame of it. The film must\u2019ve been bigger when it left\u201d, Temple said.<\/span><\/p>\n

Temple was active in the counter-cultural scene in Britain, which led him to meet the Sex Pistols and The Clash before their breakthrough. Temple filmed the beginnings of both bands, before the competing managers of the rising punk bands made an ultimatum requiring him to choose between whom to affiliate himself with. Temple chose The Sex Pistols, which made The Clash bitter for years to come.<\/span><\/p>\n

By the time Temple graduated from film school, the Sex Pistols had grown to be such a huge phenomenon that their manager <\/span>Malcolm McLaren <\/b>began to plan for a film about the band. Temple started out his career to film directing <\/span>as a film director as an assistant to <\/span>Russ Meyer<\/b>. \u201cHe was not at all into the punk thing. When touring clubs, all he wanted to know was where the girls with big tits are\u201d, Temple reminisced on the long-term exploitation movie director.<\/span><\/p>\n

McLaren wanted a person representing the counter cultural movement to direct the film, but eventually Meyer, a Korean war veteran, had enough of the punk rockers\u2019 mischief. The film <\/span>The Great Rock \u2018n Roll Swindle (1980)<\/span><\/i> was eventually parsed together by Temple from the filmed material. \u201cIt was a mashup of media, which seemed to echo the punk aesthetic of grabbing things from wherever\u201d, Temple told the audience.<\/span><\/p>\n

This misleading and fact-mangling film was not his only point of contact to the subject, as Temple estimates that he has made 20 movies about the Sex Pistols, six of which are longer than a music video. The definite story of the band is the documentary <\/span>The Filth and the Fury (2000).<\/span><\/i><\/p>\n

Temple\u2019s latter career did not depend only on his closeness to the Sex Pistols though. \u201cIn the beginning, Judas Priest<\/span> was the only band asking me to make music videos for them. I thought they were a comedy band, so I shot comedic music videos\u201d.<\/span><\/p>\n

Slowly Temple started to net recognition, and he ended up directing videos to The Rolling Stones, <\/span>David Bowie<\/b>, The Kinks, and <\/span>Neil Young<\/b>. Young\u2019s video made fun of corporations, so MTV ended up canceling it to appease their sponsors. \u201cIt still won MTV\u2019s own Best video award, even though they wouldn\u2019t show it\u201d, Temple smiled.<\/span><\/p>\n

His long career of working on music videos ended up with him developing a love-hate relationship towards the business, so he returned to England to direct to fictional films, which were based on his idols: <\/span>Vigo<\/span><\/i> (1998)<\/span><\/i>, based on film director, and <\/span>Pandaemonium (2000)<\/span><\/i>, telling the story of the writer <\/span>Samuel Colleridge. <\/b>The latter had its premiere in September 2001. \u201cEmpty cinemas \u2013 the story of my life\u201d, Temple sighed.<\/span><\/p>\n

After returning to London, Temple patched his relations to the lead man of The Clash, <\/span>Joe Strummer<\/b>, after he appeared at a garden party Temple hosted. Strummer had a habit of lighting a fire after dark, with guests gathering around it to have discussions and jam. Strummer passed away in 2001.<\/span><\/p>\n

For Temple, these gatherings represented Strummer\u2019s final piece of art. \u201cThe film I made was like a wake around the fire. He was a magic person\u201d, Temple said<\/span><\/p>\n

For his \u2018desert island film\u2019, Temple chose <\/span>Luis Bunuel\u2019s <\/b>satire <\/span>The Exterminating Angel (1962)<\/span><\/i>, as it too is set in one place, from where there\u2019s no escape. Still, \u201cI would like to have the entire Criterion Collection [with me]\u201d, Temple says.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"During the morning discussion, the British director Julien Temple revealed that he had visited a late night viewing the previous night since a\u00a0construction work had woken him up. The audience did not notice any fatigue though, as the director reminisced about his career as a film maker, especially in the British music scene. Temple hardly… View Article<\/a>","protected":false},"author":15,"featured_media":29919,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[114],"tags":[],"class_list":["post-29917","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-morning-discussion"],"acf":[],"yoast_head":"\n11.6. Morning Discussion with Julien Temple — Midnight Sun Film Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/msfilmfestival.fi\/en\/11-6-morning-discussion-with-julien-temple\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"11.6. 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