{"id":29957,"date":"2025-06-13T20:07:03","date_gmt":"2025-06-13T17:07:03","guid":{"rendered":"https:\/\/msfilmfestival.fi\/?p=29957"},"modified":"2025-06-13T20:07:03","modified_gmt":"2025-06-13T17:07:03","slug":"13-6-in-discussion-with-dominique-sanda","status":"publish","type":"post","link":"https:\/\/msfilmfestival.fi\/en\/13-6-in-discussion-with-dominique-sanda\/","title":{"rendered":"13.6. In Discussion With Dominique Sanda"},"content":{"rendered":"

In Friday\u2019s discussion with festival guest Dominique Sanda, she shared her journey in becoming a film actor and about how the world created by Robert Bresson\u2019s films has remained at the core of her artistic work.<\/span><\/p>\n

The first film Sanda remembers seeing is <\/span>West Side Story<\/span><\/i>. The dance, acting, and music sparked a flame in her that has not faded since.<\/span><\/p>\n

However, her path to becoming a film actor was not straightforward. Sanda remembers watching Disney films like <\/span>101 Dalmatian<\/span><\/i>s and<\/span> Snow White and the Seven Dwarfs <\/span><\/i>with her mother, but there was no television in her childhood home. She did not feel like she was missing out, and says that she hates the noise and hubbub of television broadcasts.<\/span><\/p>\n

\u201cMy work is to dream, and I hate anything that disturbs my dreaming\u201d, she says.<\/span><\/p>\n

From a young age, Sanda was very independent and spent a lot of time alone.<\/span><\/p>\n

\u201cI was often immersed in my own world, talking with my various imaginary friends.\u201d<\/span><\/p>\n

These conversations with herself enriched her inner world and through them, the actor within her began to emerge. At 14, a major transformation began: the once well-behaved girl became a rebellious teenager who wanted to break free from predefined roles.<\/span><\/p>\n

\u201cMy parents didn\u2019t understand me, but they also didn\u2019t try to stop me. That gave me the freedom to create my own path.\u201d<\/span><\/p>\n

Sanda\u2019s modelling career also began at age 14. After a walk with her mother, they stumbled upon a local beauty pageant. Unexpectedly, Sanda ended up on the stage \u2013 and won the contest. Winning the pageant opened doors to modelling agencies. Although her success as a model was fast and intense, it came with an inner conflict.<\/span><\/p>\n

\u201cIt was wonderful to see myself in pictures, but at the same time, it made me feel ashamed\u201d, she says.<\/span><\/p>\n

It was through a modelling agency that film director Robert Bresson discovered Sanda. She played the lead role in Bresson\u2019s film<\/span> A Gentle Woman <\/span><\/i>(1969).<\/span><\/p>\n

\u201cGod sent me a wonderful opportunity\u2014Robert Bresson\u201d, Sanda says, adding that she still feels grateful.<\/span><\/p>\n

Bresson\u2019s method was unique. He didn\u2019t call his cast actors, but rather \u201cmodels\u201d that he himself wanted to shape.<\/span><\/p>\n

\u201cHe wanted a person to be completely open and pliable, like clay he could mould as he wished\u201d, Sanda explains.<\/span><\/p>\n

Working with Bresson required total surrender, which not everyone could handle.<\/span> Guy Frangin<\/b>, Sanda\u2019s co-star in <\/span>A Gentle Woman<\/span><\/i>, found the work difficult and visibly struggled during filming.<\/span><\/p>\n

Sanda, however, felt at ease right away. While she had been rebellious in school, surrendering to Bresson\u2019s direction felt natural. What made a difference was that Bresson gave her something she hadn\u2019t received in her family: trust.<\/span><\/p>\n

\u201cI had received love, but not the feeling of someone completely trusting me. Bresson did, and that gave me wings.\u201d<\/span><\/p>\n

Working with Bresson launched a new career for Sanda, one that included collaborations with many notable directors. Still, Bresson\u2019s world remained permanently in her mind and at the core of her artistic work.<\/span><\/p>\n

\u201cBresson helped set me on the path that became my life\u201d, Sanda says.<\/span><\/p>\n

Finally, Sanda answered the classic question of MSFF\u2019s morning discussions: Which film would you take on a desert island? Unable to choose just one, she named two: <\/span>The Eternal Flame <\/span><\/i>and <\/span>The Ghost and Mrs. Muir<\/span><\/i>, both of which explore themes of life and death.<\/span><\/p>\n

\"\"<\/p>\n

Kuvat: Antti Yrj\u00f6nen<\/p>\n","protected":false},"excerpt":{"rendered":"In Friday\u2019s discussion with festival guest Dominique Sanda, she shared her journey in becoming a film actor and about how the world created by Robert Bresson\u2019s films has remained at the core of her artistic work. The first film Sanda remembers seeing is West Side Story. The dance, acting, and music sparked a flame in… View Article<\/a>","protected":false},"author":2,"featured_media":29953,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[415],"tags":[],"class_list":["post-29957","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aamukeskustelu-en"],"acf":[],"yoast_head":"\n13.6. 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