{"id":32125,"date":"2026-06-13T13:25:19","date_gmt":"2026-06-13T10:25:19","guid":{"rendered":"https:\/\/msfilmfestival.fi\/?p=32125"},"modified":"2026-06-13T13:25:19","modified_gmt":"2026-06-13T10:25:19","slug":"12-6-the-third-day-of-the-festival-was-full-of-interesting-discussions-and-film-experiences","status":"publish","type":"post","link":"https:\/\/msfilmfestival.fi\/en\/12-6-the-third-day-of-the-festival-was-full-of-interesting-discussions-and-film-experiences\/","title":{"rendered":"12.6. The third day of the festival was full of interesting discussions and film experiences"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Friday of the festival began with a morning discussion, where director-screenwriter <\/span><b>Stephan\u00e9 Briz\u00e9<\/b><span style=\"font-weight: 400;\"> spoke about his personal history, family relationships and the importance of social issues in his films. He described his own family background as modest, and the perceived scarcity affected both the family&#8217;s livelihood and the emotional atmosphere. Briz\u00e9 began his working life in electrical engineering until he was able to do an internship at a TV company. Moving to Paris to study theatre caused a rift with his family, as they did not accept the solution. Later, relations were restored, although sadly his father did not live long enough to see a single film directed by his son.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In the <\/span><b>Film Sound workshop<\/b><span style=\"font-weight: 400;\"> for children and young people, sponsored by Genelec, children aged 7\u201312 were able to try out making film sound effects. The workshop was led by Foley artist <\/span><b>Heikki Kossi<\/b><span style=\"font-weight: 400;\">, who has created sound effects for Oscar-winning films.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In the afternoon, the discussion event <\/span><i><span style=\"font-weight: 400;\">Populism is on the rise \u2013 is civilization dying? <\/span><\/i><span style=\"font-weight: 400;\">organized by the <\/span><b>Trade Union Pro,<\/b><span style=\"font-weight: 400;\"> at Kitisen Keitaa, attracted the attention of the festival audience. The panel, led by journalist<\/span><b> Tuomas Rantanen<\/b><span style=\"font-weight: 400;\">, was attended by <\/span><b>Henrik Haapaj\u00e4rvi<\/b><span style=\"font-weight: 400;\">, Director of Public Relations at Pro, actor <\/span><b>Tommi Korpela<\/b><span style=\"font-weight: 400;\">, Professor Emeritus <\/span><b>Martti Koskenniemi<\/b><span style=\"font-weight: 400;\"> and Executive Director of Espoo Cin\u00e9 <\/span><b>Tytti Rantanen<\/b><span style=\"font-weight: 400;\">. The panel discussed, from various perspectives, whether the rise of right-wing populism is a threat to civilization.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">On Friday, the <\/span><b>Yle 100 bus<\/b><span style=\"font-weight: 400;\">, which is touring Finland on Yle&#8217;s centennial tour, stopped by the festival area. The bus has various games on board, such as a word pyramid and an Yle 100 quiz, which can be played, for example, between film screenings. The bus will also broadcast the festival live on Saturday at 6:15 p.m. On Saturday evening, <\/span><b>Aki Kaurism\u00e4ki<\/b><span style=\"font-weight: 400;\">&#8216;s <\/span><i><span style=\"font-weight: 400;\">Le Havre<\/span><\/i><span style=\"font-weight: 400;\"> (2011) will be shown on Yle Teema at the same time as it is being shown at the film festival.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">At the end of the screening of <\/span><i><span style=\"font-weight: 400;\">Finnish Short Film Premiers 2<\/span><\/i><span style=\"font-weight: 400;\"> in the early evening, film director <\/span><b>Heikki Kujanp\u00e4\u00e4<\/b><span style=\"font-weight: 400;\"> interviewed <\/span><b>Yasmin Najjar<\/b><span style=\"font-weight: 400;\">, director of the short film <\/span><i><span style=\"font-weight: 400;\">TJ28<\/span><\/i><span style=\"font-weight: 400;\"> (28 Days Left) (2026), which was shown at the screening. Najjar, who herself had previously volunteered at Sodankyl\u00e4, told about how the film was inspired by her own military service. She also revealed that some of the characters in the film have their counterparts in real life.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">At the same time in Lapinsuuu, director <\/span><b>Marina Person<\/b><span style=\"font-weight: 400;\"> answered questions from the audience after the screening of the film <\/span><i><span style=\"font-weight: 400;\">California <\/span><\/i><span style=\"font-weight: 400;\">(2015). Comments were heard from viewers leaving the hall that the work had reminded them of their own youth. Person described her desire to deal with the film&#8217;s growing up as a woman, the first menstruations and sexuality, in a time that was also overshadowed by the fear of AIDS. The director said that she was proud of the film&#8217;s soundtrack, which includes <\/span><b>David Bowie<\/b><span style=\"font-weight: 400;\">, <\/span><b>The Cure<\/b><span style=\"font-weight: 400;\"> and <\/span><b>Joy Division<\/b><span style=\"font-weight: 400;\">; obtaining the rights to these songs required a lot of work.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">At 8 pm,<\/span><b> Francis Ford Coppola<\/b><span style=\"font-weight: 400;\">&#8216;s film <\/span><i><span style=\"font-weight: 400;\">The Conversation<\/span><\/i><span style=\"font-weight: 400;\"> (1974) was shown in the School Hall. Sodankyl\u00e4&#8217;s Carte blanche guest, emeritus professor of international law <\/span><b>Martti Koskenniemi<\/b><span style=\"font-weight: 400;\">, said he had selected the film for the Sodankyl\u00e4 program because the work is politically important to him. Coppola&#8217;s film makes visible the moral responsibility which belongs to the individual who is doing the eavesdropping, and reminds us that technology is not neutral.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Meanwhile in the Red Tent, before the screening of the Jussi-awarded film <\/span><i><span style=\"font-weight: 400;\">A Light That Never Goes Out<\/span><\/i><span style=\"font-weight: 400;\"> (2025), <\/span><b>Samuel Kujala<\/b><span style=\"font-weight: 400;\">, playing the lead role, spoke about the film-making process. The film, which deals with the making of art, and the crisis that comes with it, was also shown in the festival&#8217;s program last year, as a surprise preview of the film <\/span><i><span style=\"font-weight: 400;\">Kotimaisena<\/span><\/i><span style=\"font-weight: 400;\">. For the main role, Kujala had to learn a lot of new things \u2013 learn how to play the flute and to speak the Rauma dialect. However, the first step was to learn to understand the Rauma dialect of director <\/span><b>Lauri-Matti Parppei <\/b><span style=\"font-weight: 400;\">and the co-stars.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In the evening, the Big Tent was filled with festivalgoers who managed to get shelter from the rain to watch <\/span><b>Victor Sj\u00f6str\u00f6m<\/b><span style=\"font-weight: 400;\">&#8216;s silent film <\/span><i><span style=\"font-weight: 400;\">He Who Gets Slapped<\/span><\/i><span style=\"font-weight: 400;\"> (1924) accompanied by an Italian quartet. The film concert began with introductions of the guest artists, after which the band, <\/span><b>Agnusdei + Cavina + Pilia + Raia<\/b><span style=\"font-weight: 400;\">, was welcomed to the stage. A black-and-white film about the circus world and a band combining electronic music may not immediately sound like the most appropriate combination, but the quartet did well in connecting with the film&#8217;s great emotions, and lead us to follow the tragic story of a sad clown accompanied by an interesting soundscape.<\/span><\/p>\n<p><em>Picture: Jacky Law \/ MSFF<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"Friday of the festival began with a morning discussion, where director-screenwriter Stephan\u00e9 Briz\u00e9 spoke about his personal history, family relationships and the importance of social issues in his films. He described his own family background as modest, and the perceived scarcity affected both the family&#8217;s livelihood and the emotional atmosphere. Briz\u00e9 began his working life&#8230; <a class=\"view-article\" href=\"https:\/\/msfilmfestival.fi\/en\/12-6-the-third-day-of-the-festival-was-full-of-interesting-discussions-and-film-experiences\/\">View Article<\/a>","protected":false},"author":2,"featured_media":32123,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[23],"tags":[],"class_list":["post-32125","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>12.6. 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