{"id":8556,"date":"2018-06-16T09:00:30","date_gmt":"2018-06-16T06:00:30","guid":{"rendered":"https:\/\/msfilmfestival.fi\/?p=8556"},"modified":"2018-06-16T12:18:22","modified_gmt":"2018-06-16T09:18:22","slug":"friday-june-15th-morning-discussion-with-dominik-graf","status":"publish","type":"post","link":"https:\/\/msfilmfestival.fi\/en\/friday-june-15th-morning-discussion-with-dominik-graf\/","title":{"rendered":"June 15th &#8211; Morning Discussion with Dominik Graf"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">During Friday\u2019s morning discussion <\/span><b>Olaf M\u00f6ller <\/b><span style=\"font-weight: 400;\">interviewed the German director <\/span><b>Dominik Graf<\/b><span style=\"font-weight: 400;\">. Graf is a relatively unknown director outside German-speaking areas, since he has mostly worked for German television. Only a small part of his work has been made with cinema distribution in mind. Also, he is one of the rare masters of film who were born in the Federal Republic of Germany and worked actively there. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Graf was raised in an artistic family and cinema was often present in his childhood &#8211; both of his parents were actors, although his mother later mostly concentrated on writing. The first film Graf remembers seeing was Walt Disney\u2019s <\/span><i><span style=\"font-weight: 400;\">Sleeping Beauty<\/span><\/i><span style=\"font-weight: 400;\">. Despite his family background, Graf was in his youth more interested in literature and music and started his studies in the field of literature. According to Graf, he even received an overdose of culture during his childhood.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Despite everything, Graf did end up studying film and television in Munich. At the university he was part of the rebellious generation of the school. One of his close student friends was <\/span><b>Wolfgang B\u00fcld<\/b><span style=\"font-weight: 400;\">, with whom Graf has later worked.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Graf says that he got his early practical education while making minor television series early in his career. It was necessary to precisely know the different stages of the project and the effect that the director\u2019s choices would have on the end-product. Artistic maneuvers were of secondary concern, Graf explains. This practicality was a large step for him early in his career. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Graf started to get recognition for his work after making the film <\/span><i><span style=\"font-weight: 400;\">Der kostbare Gast<\/span><\/i><span style=\"font-weight: 400;\"> in the late seventies. Soon came the made-for-television film <\/span><i><span style=\"font-weight: 400;\">Treffer <\/span><\/i><span style=\"font-weight: 400;\">and the television series <\/span><i><span style=\"font-weight: 400;\">Der Fahnder<\/span><\/i><span style=\"font-weight: 400;\">. His actual breakthrough came with the film <\/span><i><span style=\"font-weight: 400;\">Die Katze<\/span><\/i><span style=\"font-weight: 400;\">. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">What is it finally that made Graf so popular? Graf himself proposes that one essential factor was his rapid tempo. German films and series of the eighties were characterized by slow dialogue, but Graf decided against that. He made sure the dialogue\u2019s tempo was more rapid and wanted the actors to speak faster. Throughout his career, Graf has paid special attention to dialogue &#8211; everything in a films centers on it. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The final question concerning his desert island film made Graf think. Finally he decided on <\/span><b>Nicolas Roeg\u2019s <\/b><span style=\"font-weight: 400;\">psychological thriller <\/span><i><span style=\"font-weight: 400;\">Bad Timing<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"During Friday\u2019s morning discussion Olaf M\u00f6ller interviewed the German director Dominik Graf. Graf is a relatively unknown director outside German-speaking areas, since he has mostly worked for German television. Only a small part of his work has been made with cinema distribution in mind. Also, he is one of the rare masters of film who&#8230; <a class=\"view-article\" href=\"https:\/\/msfilmfestival.fi\/en\/friday-june-15th-morning-discussion-with-dominik-graf\/\">View Article<\/a>","protected":false},"author":5,"featured_media":8615,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[114,23],"tags":[],"class_list":["post-8556","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-morning-discussion","category-news"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>June 15th - Morning Discussion with Dominik Graf &#8212; Midnight Sun Film Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/msfilmfestival.fi\/en\/friday-june-15th-morning-discussion-with-dominik-graf\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"June 15th - Morning Discussion with Dominik Graf &#8212; Midnight Sun Film Festival\" \/>\n<meta property=\"og:description\" content=\"During Friday\u2019s morning discussion Olaf M\u00f6ller interviewed the German director Dominik Graf. Graf is a relatively unknown director outside German-speaking areas, since he has mostly worked for German television. Only a small part of his work has been made with cinema distribution in mind. Also, he is one of the rare masters of film who... 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