In 1976 Joe Strummer (1952-2002) founded The Clash, one of the leading bands of the British punk movement. Before his tragic early death, the rock legend began working with Julien Temple on a biopic that would be released five years after his passing.
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Director-screenwriter Sarah Friedland made a rare hat trick at the Venice Film Festival, winning both best debut award and the... View Article
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Genre genius Brian Trenchard-Smith's Dead End Drive-In is rooted in an unexpected bit of realism: that by the 1980s, many drive-ins had to be used for purposes other than screening movies during the day, as the core business had long stopped paying the bills.
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Singer and lyricist of the band The Pogues, Shane MacGowan (1957-2023), Irish national hero and patron saint of drunkards, is remembered for his public self-destructiveness, jagged teeth, ragged but charismatic habitus, massive, troll-like ears, and incoherent, slurred speech, which from time to time might have benefitted from subtitles for comprehension.
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Fifteen filmless years have passed since Content (if we ignore Petit's minute contribution to the omnibus The Film That Buys the Cinema, 2014).
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Roughly fifteen Franks and one Pekka (Markku Toikka) want to escape their back-breaking living conditions in the working-class neighbourhood of Kallio and based on their parents' stories decide to head towards the fabled district of Eira.
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This adaptation of Colin MacInnes' 1959 novel about London's jazz circles and its burgeoning rock scene was a critical and commercial failure upon release, but Julien Temple's fascinating and exquisitely colourful musical has gained momentum during later years.
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Robert J. Flaherty is considered the father of documentary cinema, but he is also the great grandfather of Finnish experimental filmmaker Sami van Ingen.
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