MICHAEL CIMINO, UN MIRAGE AMÉRICAIN
The seven films of Michael Cimino, one of the most uncompromising directors of New Hollywood, have left an indelible mark... View Article
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MON ONCLE
Jacques Tati’s first color film Mon oncle (1958) was a great success, winning both the Jury Prize at the Cannes Film Festival as well as the Academy Award for Best Foreign Language Film. Foreign language... View Article
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INGEBORG HOLM
The Midnight Sun Film Festival’s prime spot this year is reserved for the screening of Victor Sjöström’s (1879-1960) Ingeborg Holm... View Article
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IN THE FOG
If one has seen The Ascent (Voshoždenije, 1977), Larisa Shepitko’s clear-as-ice vision of the Calvary for victims of war, can... View Article
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INVENTION FOR DESTRUCTION
Invention for Destruction—thought to be the most successful of all Czech films—is also one of the most visually inventive movies... View Article
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FLICKERING GHOSTS OF LOVES GONE BY
André Bonzel’s first film as the sole director is a personal memoir in which old home movies make up a... View Article
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HAPPINESS COMES AT NINE O’CLOCK
Nikola Tanhofer’s Happiness Comes at Nine o’Clock holds a unique place in Croatian film history as such, for it is... View Article
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FAR FROM HOME
A transitional film linking Sohrab Shahid Saless’s Iranian period with his extended stay in Germany, this was the third film... View Article
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EO
EO, pronounced phonetically like the bray of a donkey, roars with the expressive power of cinema. When an opportunity for a raucous adventure presents itself, Eo the circus... View Article
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HALLELUJAH: LEONARD COHEN, A JOURNEY, A SONG
Leonard Cohen’s poetic voice – rough yet smooth, rich as whiskey and forged in the pitfalls of life – accompanies... View Article
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