BIS SPÄTER, ICH MUß MICH ERSCHIEßEN
Premiered on 16 March 1984, the German-Finnish collaboration Bis später, ich muß mich erschießen is an interesting outlier in the... View Article
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BLUE JEAN
Georgia Oakley’s subtle but powerful debut Blue Jean takes us to Margaret Thatcher-led 1980s Great Britain, where societal prejudice forces... View Article
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BLUE NOTE
Also noticed abroad, Blue Note, Finnish-Bulgarian Pavel Andonov’s graduation film from the London Film School, took home three prizes from the Tampere... View Article
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BUBBLE
Bubble by Aleksi Salmenperä (Void, 2015) sheds light on one perspective of the post-puberty phase: what is it like to be a young girl caught in the... View Article
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BUÑUEL: A SURREALIST FILMMAKER
What has happened to the reputation of Luis Buñuel (1900-1983), the Spanish master of surrealism? Should we be concerned, when... View Article
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BURRBALL
Over fifty years after its release, Burrball (Takiaispallo), directed by Veli-Matti Saikkonen and written by Kerttu-Kaarina Suosalmi, still feels modern. Some details or attitudes... View Article
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CAPRICE
Emmanuel Mouret is a delicious discovery for anyone who enjoys classic Woody Allen and Èric Rohmer – or just talkative... View Article
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CHA CHA CHA
”Any resemblance to real persons is not at all coincidental,” says a text at the beginning of Mika Kaurismäki’s film... View Article
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CINÉMA LAIKA
Croatian film director Veljko Vidak recently spent more than a year in Karkkila, documenting step by step how a new... View Article
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CZECH ANIMATION: MYSTERIOUS OBJECTS FROM THE GOLDEN AGE
Czech animation has a long history of creativity and craft, whimsy and surrealism. Studios in Prague and Zlín produced a... View Article
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