D is for Distance
Fifteen filmless years have passed since Content (if we ignore Petit's minute contribution to the omnibus The Film That Buys the Cinema, 2014).
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Dead End Drive-In
Genre genius Brian Trenchard-Smith's Dead End Drive-In is rooted in an unexpected bit of realism: that by the 1980s, many drive-ins had to be used for purposes other than screening movies during the day, as the core business had long stopped paying the bills.
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Dreams (Sex Love)
Winner of the main prize at the Berlin Film Festival, Dreams tells the story of 17-year-old Johanne, who comes to... View Article
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Earth Girls Are Easy
A real cult classic treat will be served for the lovers of all things 80s. The canny genre hybrid, directed... View Article
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Escape from the ‘Liberty’ Cinema
Cinema Wolność (= Liberty) is a rather ordinary movie hall where unremarkable movies like Jutrzenka get shown. But one fine... View Article
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Every Note You Play
Mika Kaurismäki’s most recent film in many ways marks a return to his roots. After completing his film studies in... View Article
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Familiar Touch
Director-screenwriter Sarah Friedland made a rare hat trick at the Venice Film Festival, winning both best debut award and the... View Article
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Filmlovers!
We honour the 130-year anniversary of film not only by documenting its origins through the Lumière brothers, but also by... View Article
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Grand Tour
A love story meets a devilish pursuit, and documentary street scenes collide with stylised silent film aesthetics. True to its... View Article
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Grapes of Wrath
After years in prison, Tom Joad (Henry Fonda) returns to his family farm in Oklahoma, only to find even grittier... View Article
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